ONLINE GODS – A PODCAST ABOUT DIGITAL CULTURES IN INDIA AND BEYOND

EPISODE 12: THE BODY AND ME TOO INDIA (OCTOBER 2018)

This month we talk with Marwan Kraidy about the body and with Mahima Kukreja about Me Too India.

ABOUT

Online Gods is part theoretical exploration into some of the key concepts in the anthropology of media, and part research into how increased online interaction is changing the public sphere. Taking India and the India diaspora as its focal point, the podcast continues in the great anthropological tradition of bringing the global and the specific into conversation with one another as it analyses what online discussions do to political participation, displays of faith and feelings of national belonging. We are also intrigued as to whether a podcast can produce ethnographic theory. We believe It is possible to be both sophisticated and yet comprehensible, and that the spoken form can bring forth an accessibility that is sometimes missing from the written form. We even wonder whether academic podcasting might herald a technologically-enabled return to the centrality of oral traditions in intellectual exploration – can podcasting weaken reading’s hegemonic hold on consumption of academic knowledge? Online Gods is a key initiative of the project ONLINERPOL, an official podcast collaborator of the American Anthropological Association and has a publishing partnership with EPW Engage. This podcast is hosted by Ian M. Cook and Sahana Udupa.

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Further Reading

Marwarn’s selected work
The Naked Blogger of Cairo: Creative Insurgency in the Arab World. Harvard University Press, 2016.
Reality Television and Arab Politics: Contention in Public Life. Cambridge University Press, 2010.
“The Projectilic Image: Islamic State’s Digital Visual Warfare and Global Networked Affect.” Media, Culture & Society, 2017.
“This is Why the Islamic State Shocks the World with its Graphically Violent Imagery.” The Washington Post’s Monkey Cage, 2017.
“Why It’s Been So Effective to Ridicule Syria’s Bashar al-Assad as a Pathetic Finger Puppet.” History News Network, 2016.
Mahima’s work and social media links
Twitter
Instagram
YouTube

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